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Fathom® v2
The challenges associated with designing high-output compact subwoofer systems can be quite daunting. In most cases, designers sacrifice low-frequency extension or output capability in order to keep the design small.
The Fathom® v2 subwoofers sacrifice nothing, thanks to the dynamic advantages of their proprietary JL Audio woofers. These exceptional drivers allow for a true subwoofer passband and very high output, while keeping distortion well below audible thresholds. To extract full benefit from the excursion envelope of its woofer, each Fathom® v2 employs an exceptionally powerful switching amplifier with a large toroidal transformer and a patented circuit designed to enhance control and fidelity. The audible benefits of these advantages are truly profound, and attested to by the most respected reviewers in the audio business.
“JL Audio’s Fathom f113v2 is everything good from the Fathom f113 and more. DARO is a huge and needed improvement, and the backward compatibility with the v1 is appreciated. In 2006, I hadn’t thought I needed a subwoofer–and certainly not two. Now, it’s hard to imagine listening without at least one Fathom f113v2.” – Kalman Rubinson, Stereophile, January 2016
“The JL Audio Fathom is of reference quality and a benchmark by which all other subwoofers can be judged.”– Robert Harley, The Absolute Sound, March 2007
The compact design and conventional form factor of the Fathoms apply beautifully to most home theater applications, including built-in designs. Front-mounted controls make them a dream to set up and adjust, while JL Audio’s exclusive Digital Automatic Room Optimization circuit makes sure that response is smooth, even in challenging rooms.
Simply put, Fathom® v2 is the compact in-room subwoofer for those who enjoy demanding program material and won’t settle for compromises.
Built like no other
Our Fathom® assembly process brings together all the key component groups: drivers, electronics, wire harnesses and enclosures. A single technician assumes responsibility for the complete assembly process. The finished units make a short trip to our testing room for a series of critical performance and electrical tests.
Modeller:
Fathom F110V2 – 10″
Enclosure Type |
Sealed |
Enclosure Finish |
Black Gloss |
Frequency Response (Anechoic) |
27 – 111 Hz (±1.5dB)
-3 dB at 25 Hz / 120 Hz
-10 dB at 19 Hz / 155 Hz |
Effective Piston Area (Sd) |
60 sq in / 0.0387 sq m |
Effective Displacement |
160 cu in / 2.6 L |
Amplifier Power |
1.1 kW RMS short-term |
Power Mode(s) |
Off, On or Automatic (Signal-Sensing) |
Light Modes |
Off, On or Dim |
Unbalanced Inputs |
Stereo or Mono (two RCA jacks) |
Balanced Inputs |
Stereo or Mono (two female XLR jacks) |
Speaker/High-Level Inputs |
N/A |
Input Grounding |
Isolated or Grounded |
Input Modes |
Master or Slave |
Level Control |
Reference (fixed gain) or Variable, from full mute to +15dB over reference gain |
Filter Mode(s) |
Low-Pass |
Filter Slope(s) |
12/24 dB/octave |
Filter Frequency Range |
30 Hz – 130 Hz |
Filter Defeat Function |
Yes |
Polarity |
0 or 180 degrees |
Phase |
Variable, 0 – 280 degrees |
Extreme Low Frequency (E.L.F.) Trim |
Variable, -12 dB to +3 dB at 28 Hz |
Line Outputs |
N/A |
Output to Slave |
Balanced (one male XLR jack) |
Calibration Mode |
Digital Automatic Room Optimization (D.A.R.O.), incudes laboratory-grade microphone |
Width (W) |
12.92 in / 328 mm |
Height (H) |
15.64 in / 397 mm |
Depth (D) |
17.27 in / 439 mm |
Net Weight |
69 lb / 31 kg |
Fathom F112V2 – 12″
Enclosure Type |
Sealed |
Enclosure Finish |
Black Gloss |
Frequency Response (Anechoic) |
21 – 119 Hz (±1.5dB) -3 dB at 19 Hz / 150 Hz -10 dB at 17 Hz / 167 Hz |
Effective Piston Area (Sd) |
84 sq in / 0.0542 sq m |
Effective Displacement |
287 cu in / 4.7 L |
Amplifier Power |
1.8 kW RMS short-term |
Power Mode(s) |
Off, On or Automatic (Signal-Sensing) |
Light Modes |
Off, On or Dim |
Unbalanced Inputs |
Stereo or Mono (two RCA jacks) |
Balanced Inputs |
Stereo or Mono (two female XLR jacks) |
Speaker/High-Level Inputs |
N/A |
Input Grounding |
Isolated or Grounded |
Input Modes |
Master or Slave |
Level Control |
Reference (fixed gain) or Variable, from full mute to +15dB over reference gain |
Filter Mode(s) |
Low-Pass |
Filter Slope(s) |
12/24 dB/octave |
Filter Frequency Range |
30 Hz – 130 Hz |
Filter Defeat Function |
Yes |
Polarity |
0 or 180 degrees |
Phase |
Variable, 0 – 280 degrees |
Extreme Low Frequency (E.L.F.) Trim |
Variable, -12 dB to +3 dB at 25 Hz |
Line Outputs |
N/A |
Output to Slave |
Balanced (one male XLR jack) |
Calibration Mode |
Digital Automatic Room Optimization (D.A.R.O.), incudes laboratory-grade microphone |
Width (W) |
15.0625 in / 384 mm |
Height (H) |
18.5 in / 470 mm |
Depth (D) |
17.75 in / 451 mm |
Net Weight |
117 lb / 53 kg |
Fathom F113V2 – 13,5″
Enclosure Type |
Sealed |
Enclosure Finish |
Black Gloss |
Frequency Response (Anechoic) |
20 – 86 Hz (±1.5dB) -3 dB at 18 Hz / 127 Hz -10 dB at 16 Hz / 154 Hz |
Effective Piston Area (Sd) |
107.35 sq in / 0.0693 sq m |
Effective Displacement |
386 cu in / 6.3 L |
Amplifier Power |
3000 W RMS short-term |
Power Mode(s) |
Off, On or Automatic (Signal-Sensing) |
Light Modes |
Off, On or Dim |
Unbalanced Inputs |
Stereo or Mono (two RCA jacks) |
Balanced Inputs |
Stereo or Mono (two female XLR jacks) |
Speaker/High-Level Inputs |
N/A |
Input Grounding |
Isolated or Grounded |
Input Modes |
Master or Slave |
Level Control |
Reference (fixed gain) or Variable, from full mute to +15dB over reference gain |
Filter Mode(s) |
Low-Pass |
Filter Slope(s) |
12/24 dB/octave |
Filter Frequency Range |
30 Hz – 130 Hz |
Filter Defeat Function |
Yes |
Polarity |
0 or 180 degrees |
Phase |
Variable, 0 – 280 degrees |
Extreme Low Frequency (E.L.F.) Trim |
Variable, -12 dB to +3 dB at 25 Hz |
Line Outputs |
N/A |
Output to Slave |
Balanced (one male XLR jack) |
Calibration Mode |
Digital Automatic Room Optimization (D.A.R.O.), incudes laboratory-grade microphone |
Width (W) |
16.50 in / 419 mm |
Height (H) |
19.25 in / 489 mm |
Depth (D) |
19.25 in / 489 mm |
Net Weight |
133 lb / 60 kg |
Fathom® f212v2
Enclosure Type |
Sealed |
Enclosure Finish |
Black Gloss |
Frequency Response (Anechoic) |
20 – 97 Hz (±1.5dB) -3 dB at 19 Hz / 110 Hz -10 dB at 15 Hz / 157 Hz |
Effective Piston Area (Sd) |
168 sq in / 0.1084 sq m |
Effective Displacement |
574 cu in / 9.4 L |
Amplifier Power |
3.6 kW RMS short-term |
Power Mode(s) |
Off, On or Automatic (Signal-Sensing) |
Light Modes |
Off, On or Dim |
Unbalanced Inputs |
Stereo or Mono (two RCA jacks) |
Balanced Inputs |
Stereo or Mono (two female XLR jacks) |
Speaker/High-Level Inputs |
N/A |
Input Grounding |
Isolated or Grounded |
Input Modes |
Master or Slave |
Level Control |
Reference (fixed gain) or Variable, from full mute to +15dB over reference gain |
Filter Mode(s) |
Low-Pass |
Filter Slope(s) |
12/24 dB/octave |
Filter Frequency Range |
30 Hz – 130 Hz |
Filter Defeat Function |
Yes |
Polarity |
0 or 180 degrees |
Phase |
Variable, 0 – 280 degrees |
Extreme Low Frequency (E.L.F.) Trim |
Variable, -12 dB to +3 dB at 25 Hz |
Line Outputs |
N/A |
Output to Slave |
Balanced (one male XLR jack) |
Calibration Mode |
Digital Automatic Room Optimization (D.A.R.O.), incudes laboratory-grade microphone |
Width (W) |
14.92 in / 379 mm |
Height (H) |
31.96 in / 812 mm |
Depth (D) |
20.39 in / 518 mm |
Net Weight |
224 lb / 102 kg |
Recensioner
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